Actors Touring Company produces international contemporary theatre that travels – making the global, local and the local, global.
We are one of the only British theatre companies committed to producing international plays; and to touring the work of those global voices throughout the UK (and beyond).
Matthew Xia, one of British theatre’s most exciting talents, has been Artistic Director since 2019. Matthew brings with him fresh thinking about the global identities within contemporary British society. Matthew’s work explores voices from the cultures that make up our globe and our nation – and the ways in which they intersect.
Matthew Xia was appointed Artistic Director of Actors Touring Company in November 2018. Matthew is one of the busiest and most exciting directors in the UK.
He is a former Associate Artistic Director of Royal Exchange Theatre, Manchester; Director in Residence at Liverpool Everyman & Playhouse; Associate Director of Theatre Royal Stratford East. He is currently an Associate Artist at Nottingham Playhouse.
Some of Matthew’s acclaimed productions include: at the Royal Exchange, Manchester Frankenstein, Wish List (also Royal Court), and Into The Woods; Blue/Orange and Sizwe Banzi is Dead at the Young Vic; and Shebeen at Nottingham Playhouse.
Other work of note includes: Blood Knot at The Orange Tree, Sleeping Beauty at Stratford East,Scrapper and Migration Music at the Liverpool Everyman and Playhouse; Dublin Carol at the Sherman Theatre Cardiff; and NitroBeat’s Suckerpunch Boomsuite at the Barbican.
Under the pseudonym Excalibah, Matthew was the first DJ to join BBC 1Xtra, where he spent 6 years. As a sound designer and composer, credits include: The People Are Singing (Royal Exchange); Freerun (Udderbelly; That’s The Way To Do It (TimeWontWait); Bolero Remixed (New London Orchestra).
In 2012 Excalibah performed as a headline DJ at the London Paralympic Opening Ceremony.
Matthew is a founding member of Act for Change, a trustee of Artistic Directors of the Future and of Cardboard Citizens and has served on the boards of Rich Mix, Creative Futures and Theatre Royal Stratford East. He has been a judge for the Bruntwood Prize for Playwriting (2017) and the Alfred Fagon Award (2017 and 2018).
Andrew Smaje is a theatre producer, consultant and mentor. He has been Executive Director of ATC since 2016, where he has produced in collaboration with venues such as the Young Vic, Orange Tree, Royal Lyceum Edinburgh, Teatre Lliure, Barcelona, Dublin Theatre Festival and Hong Kong Arts Festival.
Known for his work as a producer of contemporary theatre, particularly new writing, Andrew’s productions and commissions were nominated at the TMA/ UK Theatre Awards in 2003, 2011, 2012, 2013 and 2017 (including two nominations for Best Touring Production and three nominations for Best New Play).
He is also a consultant for leading theatre companies, organisations and artists, with clients including Theatre Royal Plymouth and The Empty Space.
Andrew was Chief Executive of Hull Truck 2010 – 2012, producing work by contemporary playwrights both in Hull and on tour, and co-producing with partners including Headlong, nabokov, Paines Plough, The Gate, Opera North and the RSC. Andrew was Associate Director of Theatre Royal Bath 2000 – 2010, supporting and developing new and innovative theatre across a broad spectrum of performance genres and practice: commissioning theatre-makers such as Rash Dash, Theatre Ad Infinitum and The Paper Birds; and working regularly with directors such as Lorne Campbell, Tessa Walker and Natalie Abrahami.
Andrew created the Bath International Puppet Festival (2000-2009), a showcase for adult puppetry; and was co-Director of the Bath Shakespeare Festival (2005-2010), an unplugged festival of contemporary perspectives on Shakespeare’s work. The festivals commissioned much new work to UK artists and gave UK premieres to productions from Belgium, Portugal, USA, Australia and Zimbabwe.
Melina Morris developed a love for Arts at a young age where she dabbled in Acting and Musical Theatre; where she then went on to train at Birmingham School of Acting (Now Royal Birmingham Conservatoire). Melina then became inspired to work more in the community using the theatre as a way to engage.
In 2019 Melina decided to make the move to London; as London has present multiple opportunities of personal growth and development to her. Melina joined Young Agitators programme at The Royal Court and Front-line Facilitators at the Old Vic where Melina was able to refine her skills as creative.
Melina then went onto work for The Old Vic, Coram Shakespeares Schools foundation, Battersea Arts Centre, Eastside Educational Trust, Chain Reaction Theatre Company, Arts Bridge Charity, Talawa Theatre Company as well as working as an usher at the Young Vic.
Before joining ATC Melina worked alongside Pentabus Theatre Company and Theatre By The Lake curating an education and wrap around programme for Jacaranda which is a beautiful two hander by Alfred Fagon winning playwright Lorna French. Through this work Melina attended a life changing event called Anti-Racist Cumbria Summit which inspired Melina to become more proactive in working with venues that are committed to anti-racism policies.
Melina is extremely passionate about bringing new writing into communities where those communities feel represented on stage. With the hopes to inspire, engage and curate ways to break barriers and making theatre accessible to all.
Kate was born Baghdad Iraq and raised in East London; Kate’s traditional Arab name is Inaam-Catherine bint Suhail bin Mohammed bin Salih al-Hashemi.
She trained in Technical Theatre and Stage Management at RADA before studying Arts Admin at Birkbeck College, University of London. Kate then spent over ten successful years as a Stage Manager for a variety of organisations including Birmingham Rep, the RSC, Unicorn Kids Theatre and in the West End.
Having moved into administration Kate worked for English Heritage, Soho Theatre Company and Theatre Royal Stratford East, before undertaking senior management contracts with Colchester Arts Centre, Culture&, Talawa Theatre Company, Oval House, Daily Life Ltd, Jacksons Lane, Discover Centre for Children, Eastern Angles, Shape East Architectural Centre and Hoxton Hall.
Current clients include Actors Touring Company, Artistic Directors of the Future, HDK Associates, WeareUnit, Greenwich Dance and tiata fahodzi.
Associate Director ATC and LAMDA
Ameera Conrad (she/they) is a theatre maker from Cape Town, South Africa. She is an Associate Artist for the National Youth Theatre, and is one of the visiting lecturers for Mountview’s MA Theatre for Community and Education.
Her theatre credits include In These Four Walls, Totally Over You, Kate Spencer Did A Good Thing (all ArtsEd, London), Pipeline (Assistant Director – Arcola, London) The Royale, Towers (both Guildhall School of Music and Drama, London), The Fall (Co-Curator – Edinburgh International Festival Fringe, Royal Court, St. Ann’s Warehouse, South African State Theatre, Galway International Arts Festival, Melbourne Arts Centre, Festival Arts Bordeaux, Studio Theatre), and Reparation (South African National Arts Festival).
She is an alumnus of the 2017 Lincoln Center Theater Director’s Lab, and a recipient of the Theatre Arts Admin Collective’s Emerging Theatre Director Bursary. She has won a Fleur du Cap Encore Award, Scotsman Fringe First Award, The Stage Edinburgh Award for The Fall. She has also won the Filipa Bragança award for best emerging solo performer at the Edinburgh Fringe (2019) and the Western Cape Department of Sports and Culture award for her contributions to theatre in South Africa (2018).
Ameera Conrad’s work focuses on decolonising the canon of theatre, and amplifying the stories of groups marginalised because of their race, gender, and sexuality.
Sudha is an actor/playwright and a pioneering artistic leader. She is co-founder of Tamasha theatre company where she served as co-artistic director for 26 years.
She has written extensively for Tamasha and her landmark plays include Fourteen Songs, Two Weddings and a Funeral (winner of Barclays/TMA Best Musical) an adaptation of the booker shortlisted A Fine Balance, by Rohinton Mistry, and Strictly Dandia (all with Kristine Landon-Smith). Her solo plays include The House of Bilquis bibi (Lorca’s The House of Bernada Alba transposed to contemporary Pakistan) and most recently the critically acclaimed My Name is… which Sudha also adapted for Radio 4.
Sudha’s extensive acting career includes Eastenders, Doctors and Casualty for the BBC, Stella for Sky tv, and most recently she played Sonia Rahman in Coronation Street. Theatre credits include Khandan by Gurpreet Bhatti and Sudha is a regular contributor on Radio 4.
Alan Evans is General Counsel and Director General for Legal Services at HM Revenue and Customs (HMRC), and a member of the department’s Executive Committee. Alan has held a number of other senior legal posts in government – including Legal Director at Defra and BEIS – and chaired and served on several departmental and cross government boards. Earlier in his career, Alan was a legal adviser to the Cabinet Office and at the European Commission. Prior to working in government, Alan practised international commercial litigation at law firms in the City of London. He is a past member of the Law Society’s European and Employment Law Committees.
Alan is passionate about theatre – regularly attending productions at a broad range of venues. He is also a strong advocate for diversity, including as a senior diversity champion in government over the last five years.
Sanpreet Janjua is a fundraiser with experience in the arts and cultural charitable sector. She started her career as an Arts Fundraising Fellow through the Arts Fundraising and Philanthropy Fundraising Fellowship Programme. Having completed her Fellowship at Nottingham Playhouse, as well as a few years in post as Fundraising Officer, she is now Development Manager at Awards for Young Musicians.
Sanpreet is passionate about making artistic and creative experiences available to all. She also loves theatre, especially contemporary and new writing by often marginalised and overlooked writers.
Geraldine Brodie is Associate Professor in Translation Theory and Theatre Translation at University College London and a Senior Fellow of the Higher Education Academy. Her research centres on theatre translation practices in contemporary London, on which topic she speaks and publishes widely. Recent publications include her monograph The Translator on Stage (Bloomsbury, 2018) and the volume Adapting Translation for the Stage, co-edited with Emma Cole (Routledge, 2017). She is a member of the Clore Leader network, which draws its members from across arts, culture and the creative sector.
Geraldine is also a Fellow of the Institute of Chartered Accountants in England and Wales and a member of the Chartered Institute of Taxation. She has worked in audit, tax, professional development and graduate recruitment for KPMG in London and New York and is the director of a private property investment and management company specialising in the residential and commercial sectors in South East England.
She has served on a range of charitable, voluntary and industry boards and organisations, most recently including the Schools of King Edward VI in Birmingham and the Barbican Centre Trust. She is also a member of the Wates Foundation, an independent grant-making family trust supporting the charitable and voluntary sector.
Maria M Delgado is an academic, critic and curator. Professor and Director of Research at Royal Central School of Speech and Drama, University of London, she is also an Honorary Fellow of the Institute of Modern Languages Research at the School of Advanced Study, University of London.
She has published widely in the area of European theatre and Spanish-language theatre and film, including Federico García Lorca (Routledge 2008), ‘Other’ Spanish Theatres (MUP 2003, revised Spanish language edition 2017), Contemporary European Theatre Directors (Routledge, 2010), A History of the Theatre in Spain (Cambridge University Press, 2012), A Companion to Latin-American Cinema (Wiley Blackwell, 2017) and seven further co-edited volumes.
Her film work includes 22 years as a programme adviser on Spanish and Spanish-American cinema to the London Film Festival, and curatorial/programming work for the Ciné Lumière, ICA and BFI Southbank. Maria writes on film and theatre for a range of publications including Sight & Sound, The Theatre Times, and European Stages, and is a guest contributor to a range of BBC radio programmes. She is on the board of Governors of The Guildhall School of Music and Drama and The Royal Central School of Speech and Drama.
Sarah Grochala is an Anglo-Polish playwright based in London. She is currently Senior Lecturer, Writing for Theatre at the Royal Central School of Speech and Drama in London, where she leads the MA/MFA Writing for Stage and Broadcast Media.
Her play S-27 won the 2007 iceandfire/Amnesty International Protect the Human Playwriting Competition and premiered at the Finborough Theatre, London in June 2009. Since its first production in 2009, S-27 has been revived in the UK and internationally, including several productions in Australia and also in Canada. S-27 is published by Oberon books and has been translated into Hebrew and French.
Sarah’s other plays include Waiting for Romeo (Istanbul 2014-16), winner of the 2015 Ekin Yazin Dostları Theatre Award for Best Play.
Her work as a writer has been supported and developed by The National Theatre Studio, Royal Shakespeare Company, The Orange Tree, Criterion New Writing Programme, The Orchard Project (USA), The Studios Key West (USA) and OffWestEnd.com. Alongside her playwriting, she currently writes audio dramas for Big Finish Productions.
Sarah was an Associate Artist with Headlong (2012-16), where she worked on creating theatrical experiences using digital media. Her book The Contemporary Political Play, was published by Bloomsbury Methuen. She is currently writing a book on The Theatre of Rupert Goold (Methuen Drama), which will be published in 2020. Sarah was recently awarded a British Academy Rising Star Engagement Award for a project exploring the shortage of contemporary European plays in translation on British Stages.
Vincent Keaveny is a partner at international law firm, DLA Piper UK LLP. He advises financial institutions and companies throughout the UK and Europe on banking and finance matters. He was elected as Alderman for the Ward of Farringdon Within in the City of London in 2013 and served as Sheriff of the City of London in 2018/19. He has been a member of a number of City of London Corporation Committees and currently sits on the Policy & Resources Committee.
Vincent is also the Court of Aldermen’s representative trustee on the Board of the Sir John Soane’s Museum. Vincent is a director/trustee of the contemporary music ensemble, Exaudi. Vincent was Master of the City of London Solicitors’ Company in 2014/15. He served on the Committee of the City of London Law Society from 2006 to 2013 and was President of the Society in 2014/15.
ATC is looking for a CSM for our upcoming national tour of RICE.
This would be a handover with our current CSM. The role picks up in Scarborough and continuing on to York, Sheffield and Liverpool. You will be supporting the production directed by Matthew Xia and Associate Director Ameera Conrad.
Dates: February 21 – 15 April 2022
Salary: £494 pw + touring allowance £311, ITC contract.
Click here for details of the CSM role.
To apply, please send your CV to firstname.lastname@example.org
We have no casting opportunities at the moment. More often than not we do all our casting through independent agents, and as such do not accept unsolicted CVs.
We are not currently recruiting for any production roles. Please check back again soon.
We read many scripts from many different sources and many different places, but we’re sorry, we are unable to offer a reading service or accept unsolicited scripts.
ATC tours in the UK and internationally. In this section, you will find information on our current projects. Please take a look at the information and get in touch if you’d like to discuss how we can visit you and your audiences.
Touring January – April 2022
Click here for information on how to book for your venue
We have a portfolio of productions both in repetoire and in development, which are potentially available for UK and international touring. If you would like more information please contact us on email@example.com